Kara Connolly “Abuser”

A song with a title that plays into the current issues of today.  I refrain from calling it politics because there is nothing political about this issue.  Reminiscent of indie pop acts such as Lily Allens “Foundations” but with a deeper focus in lyrical content Kara Connolly “Abuser” is a pop production worth checking out.  The song features a variety of both percussion and harmony instrumentation that flushes out a bold arrangement.  Featuring rhythmic choices that are not your standard four on the floor but rather a more bouncy accent both eighth notes on the third beat of measures it is hard to get the harmony and rhythmic arrangement out of your head, not that you even want to.  Containing sensible lyrical content and a well thought out arrangement I highly recommend checking out “Abuser” by Kara Connolly.  Attached below is an artist biography and streaming link.

“Kara Connolly has it all – charisma, a commanding stage presence, an emotive voice, and that rare gift for writing songs that are simultaneously heartfelt, sincere and undeniably infectious upon first listen. Given her ability to connect with an audience, it’s no surprise that Kara sold-out the iconic Hotel Cafe in Hollywood, the very venue that Katy Perry and Sara Bareilles got their start, before ever having released a single song. And now with her second single, Nice Guy, premiering on Parade magazine with its accompanying lyric video, and a full length album on its way, Kara Connolly has the opportunity to reach an audience as universal as her songs themselves.

Her debut music video for first single, Life in Rear View, has already garnered over 130K views and the song and its video received high praise in a variety of popular publications such as Popdust and PopMatters. Connolly’s upcoming LP of the same name, a unique genre-bending blend of percussive pop, folk, and country, takes you on a journey from breakdown to breakthrough. What begins with heartbreak, ends in triumph as Kara reminds us, through personal experience, the importance of friendship, vulnerability, acknowledging our own self-worth, and never settling for less than the love and respect we deserve.

She has this rare ability to deliver wisdom in a light-hearted and cheeky way that only someone as magnetic and relatable as Kara could pull off. “They say man up, but I want a man who’s bold enough to cry when he’s sad – If you treat me right, you can spend the night; If you treat me wrong – well then…so long” she winks in Nice Guy, a song that brilliantly takes on our deep-rooted culture of toxic hyper-masculinity and encourages young women to demand the respect they deserve, all while making you laugh and sing along. “My goal was to create something fun and honest that you could sing to, with hopes that after a second listen you may realize you’re singing something empowering,” she explains.

What began with Kara singing, “Man! I Feel Like A Woman” at a summer cruise ship talent show as a young woman…of 6, led to her writing fully formed relationship songs back when the only man in her life was a stuffed animal named “Doodle Bear.” Since then, the San Diego native has continued to write what she considers “relationship songs with a twist,” although she now draws from ​her own life.

“I am sick of hearing songs on the radio that undervalue and degrade women. I feel very called to empower and connect with the next generation of young women and hopefully inspire them to acknowledge their own worth and not put up with the kind of treatment that my generation and those of the past have experienced. I believe in the power of music to inspire and I hope that through humor and heart my songs can make a difference in these girls’ lives.”


Kara’s upbeat and colorful take on modern feminism, produced by Bill Lefler (Ingrid Michaelson) and mastered at the legendary Capitol Records, is sure to be playing on repeat.”

About IAN MCFARLAND 418 Articles
Musician releasing music under self created record label

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